piavascapes festival - portugal
Wednesday, March 2, 2011
Saturday, February 26, 2011


Jez riley French - instamatic # 8 - portugal (mp3 extract) by JezrileyFrench
Monday, February 21, 2011
Saturday, February 5, 2011


Jez riley French . between gestures . glasgow
live and field recordings
one . between kinetics (live sections from performance at sharmanka)
two . spaces between others (between scores, concert room at wandelweiser event)
three . between window and table (live sections from performance at 12 / 2)
four . between still morning and a long picnic (recording of room at 12 / 2)
five . between agedashi tofu, udon and central (recordings in restaurant and station)
Jez riley French - field recordings, zither, salt, glass lenses, lx-1 camera, paper, contact microphones, table, fingers, shells
p&c 2011
engraved glass eg-sr02
Tuesday, January 25, 2011
Monday, January 17, 2011
Saturday, January 15, 2011
Festival Paivascapes #1 com programa fechado
Paivascapes #1 – River Paiva Sound Festival, a five-day celebration dedicated to the exploration of riverside landscapes and communities through sound and multimedia art, which is produced by Portuguese sound art organization Binaural/Nodar, has its program complete.
During Paivascapes #1 festival, to happen between March 4th to March 8th, 2011, twenty five artists will have their works shown or performed and six key speakers will participate in a series of conferences on creativity, rurality and environment.
List of participant artists:
Alicja Rogalska (PL), Anna Hints (EE), Charles Stankievech (CA), Craig Dongoski (US), Ignaz Schick (DE), Jez riley French (GB), John Grzinich (US), Katherine Liberovskaya (CA), Lasse-Marc Riek (DE), Luis Costa (PT), Maile Colbert (US), Manuela Barile (IT), Marc Behrens (DE), Marja-Liisa Plats (EE), Martin Clarke (GB), Masayo Kajimura (DE), o.blaat (JP), Patrick McGinley (US), Phill Niblock (US), Rui Costa (PT), Rui Silveira (PT), Sérgio Cruz (PT), Tiago Carvalho (PT), William Lamson (US), Yasuno Miyauchi (JP).
List of key speakers:
Tiago Monteiro-Henriques (PT), Sérgio Caetano (PT), Marcos Medalon (PT), Nuno Martins (PT), Domingos Cruz (PT), Tiago Carvalho (PT).
Monday, January 3, 2011
Tuesday, November 23, 2010


'sonata for clarinet & nodar'
Jez riley French (field recording / composition)
Joana Silva (clarinet)
Luis Costa (field recording)
egcd035 / nodar002
(a joint release between engraved glass & edições nodar)
in the last days of my residency at binaural (Nodar, Portugal) an idea came from a series of chance occurrences. Luis spotted Joana in the village & knew she was a clarinet player & that she had come from Lisbon to visit family for the summer. In the days before, myself & Luis had talked about recordings of instruments & singers in the natural environment - the roots of field recording. A decision was made to ask Joana if she would be willing to play her clarinet whilst walking slowly along a path that swept around the curve in the Paiva river that runs through Nodar. Joana, still at school, still learning the instrument, agreed & a day was arranged.
I think it's fair to say that what took place was truly a unique moment. This was not a 'perfect' realisation of a score that had been rehearsed. This was not a seasoned performer with a vast experience of contemporary composition playing a piece they knew well. Instead what was captured was a young player truly exploring the idea for the piece. There was no detailed instruction to her in regards to overall duration or the space between the played sections. This, therefore, is a composition of a moment.
Of course, the very nature of field recording & one of it's charms, is that it is a gesture to capture an unpredictable environment. Given the rural nature of Nodar village some aspects of everyday village life were bound to make an appearance. It was another chance occurrence that at the time we were recording someone decided it was time to trim the overgrowth on their plot of land with one of the loudest machines invented for the purpose. As this sound went on & on my thoughts went from frustration to resignation - we were, after all, capturing an aspect of life as it was happening. In composing the final piece it would have been possible to leave this intervention of modern rural reality out. However doing so would have also removed a memorable part of the experience.
It is the emotive capture of this day, this moment that motivated the composition drawn from the recordings made that day & the decision to create this release.
my thanks to Joana for her openess, exploration & dedication to the essential qualities of the music (both performed & environmental) & to Luis & all at Binaural for their hospitality & commitment.