Tuesday, November 19, 2013

tracks 1,2,4,7,8,11: instrument
from the hundreds of pieces for guitar, cello, piano, analogue synthesiser, zithers and other non conventional instruments, these pieces (recorded between 1990 & 2006) focus on work that sits at a distance from my other creative output.

tracks 3,9,10: clear input pieces
i began using clear input methods as a sole improvisatory element in the early 1990‘s and continued experimenting with the technique until the early 2000‘s. similar to ‘no-input’ this involves using no conventional instruments but rather feeding the output of a device, in my case a guitar effects rack, into the input, creating a feedback loop that is then manipulated by using the same devices parameters only.
the numbering system halts in 2006 at piece number 640, recorded in 2004. 

tracks 5,12 : field
early field recordings archives will feature on future releases (perhaps). these two pieces represent a meeting point between various music techniques i have used in the past and field recording.

track 6: tape / wax  |  collage
much of my tape archive is on reel-to-reel tape and yet to be archived. these pieces, again from the 1990’s as far as I can tell, were recorded using cassette tape sources, loops, electronics and turntable.

all tracks have been taken from cdr archives or the original tape / minidisc source. 

perhaps only loosely connected to what i was doing with my other creative interests at the time and since, these tracks represent something tangible - an acceptance of process and exploration

No comments: