Interest in the sound recording of natural and human environments has grown rapidly in the last few years. Described in various ways: location, field, natural, wild etc., these recordings can be put to a multitude of uses including film, television, radio, art installations, web and CD releases, video game soundtracks, as part of musical compositions and so on. Although we often think of these art forms as primarily visual, in fact the sound track often plays a dominant role in the viewer/user's experience. Learning to create original and effective sound tracks is a crucial and major part of many creative processes. New digital equipment makes recording and editing sound more accessible to many non-specialists, but also requires skill and experience in order to get the most out of it.
Who is this for? This five-day course aims to teach you the skills necessary to produce superb field recordings that can be used in a wide range of different media projects, and will give you hands-on experience with some of the latest equipment. The course is suitable for film-makers, sound recordists, radio producers, audio artists, musicians and video game designers, both professional and amateur.
About the trainers: Taught by Chris Watson, one of the world's outstanding field recordists, whose work ranges from CDs released in his own name to the soundtracks of countless BBC wildlife films, and by audio specialist Jez riley French.
Who can apply? This is a free Honeycomb programme, award recipients must be located within the following territories: Western seaboard of Scotland – Lochaber; Skye & Lochalsh; Arran Cumbrae; Argyll & Bute; East Ayrshire & North Ayrshire Mainland; South Ayrshire; Dumfries & Galloway; NI, excluding greater Belfast; Six border counties of the Republic of Ireland – Cavan, Donegal, Leitrim, Louth, Monaghan and Sligo.
Deadline for Applications: Please email firstname.lastname@example.org by Friday 9th January, please title your email – Sound Module application request.